with B. Santhanapandi, K. Gowtham, G. Sundara Raja Moorthy,  S. Karthic, U. Karuppaiah, and others.
2026

︎ Mixed media including granite and found objects

Carved by tombstone carvers in Madurai, this work is a reflection on time and monumentality. Taking inspiration from the gaming boards carved into ancient rock, the stone is carved to resemble a ground strewn with everyday debris. The piece is a tactile carved with great subtlety, and can be activated through playing with the everyday plastic things that make up the pieces of the game. The work is currently on display at the Museum of Art and Photography, Bengaluru’s permanent exhibition.


︎ T-shirts

Swift Dzire is an open edition of t-shirts which appropriate the logo of one of India’s most ubiquitous cars, the Maruti Suzuki Swift Dzire. The car is a friendly family car, a vibe which is at odds with its romantic and propulsively horny name. These t-shirts play with the tension between name and thing, thereby decontextualizing the logo from its fossil-fuel-consuming day to day to render it playful, funny, corny, and sexy. They are available at https://store.press-works.info/product/swift-dzire-by-mira-brunner/.

I've Been Growing This Out Since I've Seen You Last
with Billy Blades
2024

︎Performance, video, instant photographs, hair

An ode to friendship and the passage of time made with long-time collaborator Billy Blades during a residency at inter_pgh in Pittsburgh, PA.

2023-2024
︎ Digital images, acrylic prints, readymades


Exhibited at dot.berlin and, fittingly, at Artimedes (which serves both as an art gallery and, at the time, the artist’s GP), these works are about jealousy and the sordid imaginigs that come from being excluded. They were made during a period of illness and isolation. They show an ensuing fascination with the interior and the grotesque.

︎ Plaster sculpture, readymades (plastic toys, easter grass, mirrors, fishing lures), charcoal drawings

If compassion is seeing things as if from afar, how do you account for shortsightedness? This work, shown at Artspring 2023 “Hell”, is an assemblage meditation on the distorting effects of time, scale, and distance on reality. The idea of future archaeology and the subconscious layer of toys, explored in other works, remains present.

©2026
Mira Brunner